Since 2008 Saving Abel has embodied the definition of “Southern Rock.” Even before their “Self Titled” debut LP, they were barnstorming the country making fans everywhere they went, just by being themselves. Simple, down home, charming, country-boys with immeasurable talent that was destined to take them straight to the top. The band was signed by A&R wizard Jason Flom to Capitol records and their first single, “Addicted” did just that, reaching number one on several charts and the follow-up singles “18 Days” and “Drowning” helped sell over 750,000 copies of their debut album.
They toured heavily in support of this album, playing with Buckcherry and Avenged Sevenfold, and later on Nickelback, in arenas across North America. Night after night, the boys would go back to the bus with their ears ringing from 15,000 fans screaming their lyrics.
Knowing that they would need something great to follow up with, the boys set out to write their sophomore album on Capitol, “Miss America.” Topping the Active Rock and Hard Rock charts yet again with “Sex is Good” and “Stupid Girl” solidified Saving Abel’s place both on the radio and live. Setting out on their own tour this time, Saving Abel headlined theaters around the country for almost 2 years non-stop. They toured with several artists and made a lot of friends along the way, but always kept their focus on the fans, and their eyes toward the future.
Jason Flom left Capitol and the band did as well. The band signed to a new major label and the band didn’t want to fall into a rut of making the third album sound like the first two, Saving Abel returned to their Mississippi origin, adding a depth and soul that could only come from their country roots. Using banjos, mandolins, and a healthy helping of moonshine, Saving Abel went into the studio with a mission to stick with “what they know best,” and wrote an emotional, soulful record that was still rooted in rock-n-roll, but highlighted their classic country roots. Listening to “Bringing Down The Giant” was as reminiscent of Hank Williams as it was of Elvis Presley. In hindsight the album was probably a little self-indulgent and while songs like “Constantly” and “Pictures of Elvis” highlighted their softer side and amazing song writing ability, the label and band had creative differences over what to release as a first single and the label won, the result being a mildly successful rollout and the label all but abandoned the band, leaving them in the unusual predicament of not knowing what to do next.